Athmaja Biju

Athmaja Biju is the Editor at Abir Pothi. She is a Translator and Writer working on Visual Culture.

The Architectural practice of Charles Correa and Indian Modernism

Charles Correa (1930–2015), one of the most important and celebrated architects of India, practiced architecture and urban planning for over five decades. Born in Secunderabad, he studied at the University of Michigan and MIT, blending Modernist principles with local climates, materials, and social needs. His work addressed India’s post-independence challenges, prioritizing affordable housing, energy efficiency, […]

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5 Modernist Churches of Italy You Must Know

Between 1962 and 1965, the Second Vatican Council ushered in liturgical reforms emphasizing participation and clarity, freeing Italian architects from rigid typologies to create bold, modernist sacred spaces. Postwar Italy’s economic boom, urban sprawl, and secular shift met Vatican II’s call for renewal, birthing experimental churches that anchored new communities. Marta Minuzzo’s “Templi Moderni. Costruire

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Walking the Talk: Gita Balakrishnan and the Architecture of Empathy

In an era when design is often equated with visual spectacle, Gita Balakrishnan stands out for turning architecture into an instrument of empathy and social change. Trained at the School of Planning and Architecture, New Delhi, and later at Carnegie Mellon University, she began her career with hands-on community work in Bangalore’s slums through AVAS,

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Remembering Home Across Distance: A Conversation with Amin Jaffer

Dr. Amin Jaffer, an internationally celebrated curator with a career spanning institutions such as the Victoria and Albert Museum, The Al Thani Collection, and major biennials, brings a deeply transnational perspective to his role as curator of the India Pavilion at the Venice Biennale. His practice has consistently explored how objects, materials, and histories travel

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“Love Matters”: Kushal Ray on Intimacy, Observation, and the Lifelong Marathon of Photography

Kushal Ray’s journey into photography is as unconventional as it is compelling. Born in Kolkata in 1960, he began his career as a sports journalist at The Telegraph before turning to photography full-time in the early 1990s. Self-taught yet deeply informed by observation and empathy, he quickly developed a visual vocabulary that diverged from prevailing

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Ratan Parimoo retrospective opens at Bikaner House, New Delhi

Ratan Parimoo Scarlet Pearls, 1959 Oil and pebbles on board 23 x 40 inches

Gallerie Splash will present Grammar of Seeing, a major retrospective of Ratan Parimoo’s abstract phase, curated by Satyajit Dave, at Bikaner House’s Centre for Contemporary Art in New Delhi from June 12 to June 16, 2026. The show brings together paintings, prints, drawings, collages, works on paper, and archival material to trace Parimoo’s artistic evolution and

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Ashiesh Shah Explores Material Transformation in New London Exhibition

Ashiesh Shah Explores Material Transformation

Ashiesh Shah Explores Material Transformation – Mumbai-based designer, architect, and artist Ashiesh Shah will present a new solo exhibition at Carpenters Workshop Gallery, London, opening on June 11. Known for his multidisciplinary practice that bridges architecture, design, and art, Shah’s latest body of work marks a significant evolution in his creative trajectory. Rooted in a

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Chamba Rumal in a Contemporary Frame at Bridge Bharat

Bridge Bharat Exhibition view of Champa Rumal

Fields of Chamba, presented by Bridge Bharat, is an unfolding of land, labour, and the tactile intelligence of making. On view until May 2, the show repositions the Chamba Rumal as a living, thinking surface that holds memory, rhythm, and care. At its core, the exhibition draws from the ecological and cultural landscape of Chamba,

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Design Fundamentals: Understanding the Core of Creativity

design

Design surrounds us in everything we use and see, from the chair you sit on to the app you scroll through. It is the silent language that shapes how we interact with the world. Fundamentally, design is a thoughtful process of solving problems through form, function, and emotion. It creates connections between aesthetic intention and practical usefulness.

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Bodies of Time: Lorraine THIRIA on Surfaces, Memory and the Imaginary

Lorraine Thiria

Lorraine THIRIA is a contemporary french artist, whose practice moves fluidly between painting, photography, writing, and material research. Her Art is anchored in a singular visual world shaped by walls, matter, memory, and time. Trained in mural art and visual arts, and having arrived at photography through painting, she treats surfaces as living skins that

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