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Moving the Bones: Ten Artists Explore Memory and Inheritance in Delhi

Moving the Bones, curated by Annalisa Mansukhani, opens in New Delhi and explores familial memory across photography, sound, text and installation. About the Exhibition Moving the Bones presents work by Akshay Bhoan, Alina Tiphagne, Divya Cowasji, Krithika Sriram, Remi Graves, Sandeep TK, Shailee Mehta, Srinivas Kuruganti, Tripty Tamang Pakhrin and Uzma Mohsin. The show centres […]

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Sakshi Gallery Marks 40 Years with “Unfolding Narratives” Show in London

Rekha Rodwittiya Home is Wherever You Are Hand painted watercolour over digital print of autobiographic imagery . 57 x 77 Inches 2026

Sakshi Gallery will mark its 40th anniversary with Unfolding Narratives: Perspectives in Contemporary Indian Art, a group exhibition opening on June 30, 2026, at Mall Galleries, London. The show will remain on view until July 8, bringing together six significant voices in Indian contemporary art: Amit Ambalal, Manjunath Kamath, Ravinder Reddy, Rekha Rodwittiya, Shine Shivan, and

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Eustáquio Neves on Memory, Erasure, and Afro-Brazilian Histories at Venice

Eustaquio-Neves

Self-taught photographer Eustáquio Nevse from Brazil presents projects at the Venice Biennale that bring Afro-diasporic experiences to the international stage and give them new dimensions. Neves exhibits two series at the 2026 Biennale Arte. Building relationships with a centuries-old Black community in Minas Gerais over a long period of time led to the creation of

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Lines of Resistance: Marcia Kure at the Venice Biennale

Marcia Kure

One of the main attractions of the ongoing Venice Biennale is the artworks of artists from countries including Africa. Among them, Marcia Kure is particularly noteworthy. Born in Nigeria in 1970, Marcia Kure is known for her mixed-media artworks. Through these, she explores themes such as identity, history, and the lasting effects of colonialism. Marcia

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Arcause Spotlight 3.0 Bengaluru Explores Accessibility & Urban Life

Arcause Spotlight 3.0 Bengaluru

Arcause Spotlight 3.0 (Bengaluru Edition) convened a diverse group of architecture and design students, practitioners, researchers, and professionals for a day-long engagement centred on accessibility, inclusive design, everyday urbanism, and heritage. The event fostered interdisciplinary dialogue through a series of immersive activities across the city, encouraging participants to critically examine how urban spaces are experienced

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Tamasha Beyond the Stage: Abhishek Khedekar’s Docufiction Project Mapping Maharashtra’s Folk Tradition

Tamasha exhibition

At the Dilip Piramal Art Gallery (DPAG), NCPA, a compelling new exhibition titled Tamasha by photographer Abhishek Khedekar brings into focus the lived realities of Maharashtra’s itinerant folk performers, challenging romanticised perceptions of the art form. Running from May 8 to June 14, the show presents a layered docufiction narrative that moves beyond spectacle to examine the

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Mohammed Joha on Fragments That Refuse to Disappear

Mohammed Joha

This year, the Venice Biennale welcomes a diverse array of artists, among them Mohammed Joha from Gaza. His presence carries special weight in light of the ongoing violence in Palestine. Having weathered the storms of war and the ache of displacement, Joha has become one of Palestine’s most acclaimed artists. Through his art, he embarks

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Sammy Baloji at the Venice Biennale: Ghosts of Katanga and Imaging the ‘Other’

Sammy Baloji

Photographer, visual artist, and filmmaker Sammy Baloji (1978), from the Democratic Republic of Congo (DRC), is participating in this year’s Venice Biennale with his artworks, which will amplify ongoing colonial-postcolonial dialogues and the artistic practice at different levels. With a focus on the cultural, architectural, and industrial legacy of the disputed and resource-rich Katanga region,

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Exploration of Evocative Silence in Art: In Conversation with Lorraine THIRIA

Bodies of Time: Lorraine THIRIA on Surfaces, Memory and the Imaginary

PART 2 of Interview with Lorraine THIRIA. Read the first part Here: Bodies of Time: Lorraine THIRIA on Surfaces, Memory and the Imaginary Q: Your work is deeply sensory, but it also feels intimate. What emotional need does this practice fulfill for you? Lorraine THIRIA: My work is indeed deeply sensory and intimate. These impressions

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