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Drinking in the Bitter Nectar: Sustaina 3rd Edition

Sustaina in its 3rd edition deals with Bitter Nectar. The ongoing project curated by artist duo Jiten Thukral and Sumir Tagra in collaboration with CEEW is appropriately titled as it critically examines the environmental change that the world is witnessing, rooted of course in India. This year’s edition, examines climate change through fruiting cycles, food systems, […]

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All you need to know about India Design ID Delhi 2026 edition

India Design ID returns to New Delhi from February 19–22, 2026, at the NSIC Grounds, Okhla, for its 14th edition, positioning itself once again as the country’s most definitive design week. In an evolving design landscape, the fair doubles down on its role as a creative vanguard through a strengthened India–France collaboration and a packed

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In Delhi for India Art Fair? Don’t Miss These Shows!!

Between fairgrounds, collector previews and after-parties, the city’s galleries and institutions are humming with heavyweight retrospectives, tech-inflected experiments and quietly radical solos. Here is a list of exhibitions you should not miss while you are in town. Atul Dodiya: The Gatecrasher at Vadehra Art Gallery DetailsOn View: 3 February – 10 March 2026D53 Defence Colony,

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Reflecting, constructing and forging ahead: Satyakam Saha’s Artistic Practice

Satyakam Saha’s recently concluded solo at Bikaner House brings together two decades of artistic practice, in his first solo show  While looking at an artwork we often do not see what went on behind the scenes to construct it. Constructs explored how ‘images and ideas are formed, dismantled and reassembled across mediums.’ Held at Bikaner

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In Going Far, You Experience Nearness: Junjaali by Sudip Roy

By Iftikar Ahmed At Bikaner House, New Delhi, Sudip Roy’s ongoing exhibition Junjaali, on view until 20 December 2025, unfolds as a quiet yet deeply affecting return. The exhibition is not framed as a retrospective, nor does it attempt to compress decades of practice into a summarising gesture. Instead, it brings together works created over

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Indian Interior Marks Fourth Leg of La Biennale di Venezia’s Special Project Celebrating Marco Polo

La Biennale di Venezia continues its ambitious Special Project “The Wind Makes the Sky. La Biennale di Venezia in the footsteps of Marco Polo,” curated by Luigia Lonardelli, with the fourth leg titled Indian Interior at Bikaner House, New Delhi. Running from December 2 to 28, 2025, in collaboration with the Kiran Nadar Museum of

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Shipra Bhattacharya Returns to Delhi After Decade with Career-Spanning Exhibition

Shipra Bhattacharya will present In Bloom: A Journey through the Five Decades of Shipra Bhattacharya, a solo exhibition opening at CCA, Bikaner House in New Delhi on November 15, 2025. The show, curated by Jonaki Bhattacharya, will run through November 23, with viewing hours from 11 am to 7 pm daily. The exhibition marks Bhattacharya’s

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Melange of Memories- A Group Exhibition Curated by JohnyML | Presented by Kali Charan Padhi

New Delhi, October 2025: Melange of Memories brings together thirty accomplished artists from across India in a significant group exhibition curated by noted art critic and curator JohnyML, and presented by Kali Charan Padhi, artist and director of CanonFire Creatives, Bhubaneswar. The exhibition will be held from 31st October to 4th November 2025 at the LTC Gallery, Bikaner House, New Delhi, and

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Gallery Ragini Marks 20 Years with Major Anniversary Exhibition in New Delhi

Gallery Ragini is celebrating its twentieth anniversary with a group exhibition featuring over 50 Indian artists at CCA, Bikaner House, New Delhi. Titled “Between the Strands, Time Bends and Warps,” the exhibition runs from October 24-28, 2025, with daily viewing hours from 11 AM to 7 PM. Entry is free and open to the public.

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SAKSHI BAJAJ: A SOLO SHOW ‘WHISPERS OF NATURE’

“Nature is not only all that is visible to the eye… it also includes the inner pictures of the soul.”- Edvard Munch Sakshi Bajaj’s assertive and dynamic strokes function as a visual syntax, articulating an affective rhythm that resonates beyond the pictorial surface. The primacy of gesture supersedes representational reliability. The canvas itself becomes a

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