Abirpothi

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‘Disruption, destruction go hand in hand for creation’: Vasudevan Akkitham

Artist Vasudevan Akkitham weighs in about disruption in the art practice, and whether contemporary art is truly creating a language of its own As a stalwart of Indian art, a celebrated artist and also a teacher of art for many years, Vasudevan Akkitham has a certain clarity of vision when it comes to concepts within

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Two iconic moments for art

April 8, On This Day A master is lost It is an undeniably historic day for the world of art, as April 8, 1973, is when Pablo Picasso died of heart failure. This Spanish painter, sculptor, printmaker, ceramicist and theatre designer is one of the most popular names in art even today. He is known

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Artists are like wifi that is connected to a greater force, says artist Jagannath Panda

Artists Jagannath Panda takes Santanu Borah through his journey as an artists and tells him why the \”secret\” drawings he made at MSU were a disruptive event in his student days when he studied sculpture. This is Part 3 of a five-part series. You can read part 1 here and part 2 here The rustic

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Art Of The Day: Bold Chaos

Artist Pallav Chander professes that he likes to “observe society’s quirks in abstraction”. Rendered via mixed media on paper, this artwork of his — ‘Untitled 7’ — is a flash of abstract expressionism with an incredible eye for colour, clarity and chaos, all distilled into one space. Using warm fuchsia pink juxtaposed with scribblage of

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Life, art and the personal in disruption: A conversation with artist Manisha Parekh

Manisha Parekh. Photograph by Ashok Ahuja

Manisha Parekh talks to Santanu Borah about her art practice, and how a continual desire to invent keeps an artist in the thick of the action and contextually relevant. She also dwelt on disruption as a personal idea. This is part 2 of a four part series. You can read Part 1 here. Manisha Parekh

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This week: Our artists seek music in ceramics, depict tragedy bleakly, and more

Suvendu Bhandari: Tragedy depicted transparently A revelation of personal and societal tragedies and turmoil, the art put forth by artist Suvendu Bhandari is bleak and intense. He professes to his art being an emotional rather than objective reflection and response to the world around, and its treatment in sepia tones lends an almost transparent tone

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