Abirpothi

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Clay Creations of Chhattisgarh: Community Art of The Rajwars

In the Sarguja district of Chhattisgarh, the Rajwars, a farming community, dabble in a unique and traditional art form known as Painted Clay Relief. This art form is primarily practised by the women of the community and holds great significance in their culture. The Rajwars are primarily Hindu and follow the rituals and customs associated […]

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The Red Thread: Tale of of Kotpad Weaving in Odisha

Kotpad, a small village nestled in the picturesque state of Odisha, holds a weaving tradition that is both captivating and vanishing with the passage of time. The artistry of Kotpad weaving, passed down through generations, embodies a softer, more artistic lens of the world. Weaver’s Homes at Kotpad Within the weavers’ abodes, a long corridor

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Redefining the Meaning of ‘Ornamentation’ in Architecture through the Indian Context

“In a highly productive nation, the ornament is no longer a natural product of its culture, and therefore represents backwardness or even a degenerative tendency.” (Loos, 1970). These are the words of Adolf Loos, a modernist architect from Vienna. He wrote this piece called ‘The Ornament and Crime’ in 1910 when the Art Nouveau moment

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Ingenious Collaboration: Nakashima and National Institute of Design (NID) Ahmedabad

George Nakashima, the revered Japanese-American woodworker and furniture designer, left an indelible mark on India’s architecture and furniture design. From his tranquil sojourn at the Sri Aurobindo Ashram in Pondicherry, where he embraced the name Sunder Nanda, to his collaboration with Antonin Raymond on the iconic Golconde dormitory, Nakashima’s influence was profound. He even developed

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Golconde: A Modernist Marvel in Sri Aurobindo Ashram, Pondicherry

Golconde, the iconic dormitory constructed by architects George Nakashima and Antonin Raymond, stands as a brilliant example of India’s architectural evolution, representing the country’s first foray into the realm of modernist design. Completed in 1945, this remarkable structure is nestled within the serene confines of the Sri Aurobindo Ashram in Pondicherry, India. With its origins

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A Historian’s Tale: The Life of Jasleen Dhamija in Indian Textiles and Other Traditions

Smriti Malhotra Jasleen Dhamija, was a highly esteemed historian and a revered champion of traditional Indian crafts, has left an indelible mark on the preservation and promotion of the country’s rich cultural heritage. Through her extensive research, significant policy contributions, and unwavering dedication, she has become a beacon, illuminating the narrative surrounding Indian textiles and

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A Craft Catalyst, Life of Kamaladevi Chattopadhyay

Kamaladevi Chattopadhyay, an often overlooked and forgotten figure, was far more than a mere sum of her achievements. Widely recognised as the driving force behind the revival of India’s diverse craft traditions and a staunch advocate for “tribal art” after independence, Kamaladevi Chattopadhyay’s influence extended beyond her expertise in Indian handicrafts. She played a significant

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Musical Melodies of Pena; Manipuri Musical Instrument

Smriti Malhotra In the mystical land of Manipur, where lush greenery caresses the horizon and the air carries whispers of ancient tales, there exists a melodic treasure that transcends time and space. It is the enchanting Pena, a musical instrument steeped in history and cultural significance, synonymous with the Meitei people and their vibrant heritage.

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The Woman who Knew 16 Different Stiches: The story of Hansiba Museum and Craft Resource Centre

Smriti Malhotra  In the heart of Gujarat, where the vibrant hues of the state lies, a story of a unique museum conceptualised and run by the women embroiderers of the region called Hansiba Museum and Craft Resource Centre. Within its brick and mortar walls lies the sound of empowered women stitching new cultural tapestries onto

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Kaleidoscopic World of Khes: Rich Textile Tradition of Punjab

Smriti Malhotra  Within the vibrant and patterned tapestry of Punjab’s cultural heritage, lies a multifaceted textile tradition called Khes weaving. For years, women of the state have been weaving beautiful khes creations to be taken away with them to their future homes once they are married. The khes can be used as a quilt, as

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