Abirpothi

Review

Bengaluru Nouveauism: Lines, Layers and Aesthetic Pulse

‘Bengaluru Nouveauism: An aspect of looking into art through contemporary consciousness’-a presentation of Studio Kalavistaara- unfolds as a quiet yet enthralling confluence of five artists; each rooted in a distinctly different genre, yet bound by a shared urge to articulate their personal visual language. The exhibition does not seek to homogenize their voices; instead, it […]

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Inside Historia Denaturalis: Ravi Agarwal and the Rewriting of Denaturalized History 

Ravi Agarwal and the Rewriting of Denaturalized History

Written by Dr. Rahul Dev    Historia Denaturalis is an engaging title for a recent exhibition at Gallery Espace, New Delhi. Curated by Damian Christinger, a Zurich-based independent curator, the show highlights Ravi Agarwal’s extensive body of work on ecological issues in contemporary art, including photojournalism, artistic research, new installation forms, photo performance, and activism. Agarwal

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When Simplicity Becomes Profound: Savita Dwivedi’s Art

Savita Dwivedi

An art exhibition by Savita Dwivedi ‘Jiji’ at Sukriti Art Gallery, JKK, Jaipur The first encounter with Savita Dwivedi. otherwise known as Jiji and her art was almost incidental while scrolling through the posts of the eminent artist and her son Hemant Dwivedi from Udaipur. Amid discussions of technique, theory and contemporary debates on Facebook,

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Reflecting, constructing and forging ahead: Satyakam Saha’s Artistic Practice

Satyakam Saha’s recently concluded solo at Bikaner House brings together two decades of artistic practice, in his first solo show  While looking at an artwork we often do not see what went on behind the scenes to construct it. Constructs explored how ‘images and ideas are formed, dismantled and reassembled across mediums.’ Held at Bikaner

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In Going Far, You Experience Nearness: Junjaali by Sudip Roy

By Iftikar Ahmed At Bikaner House, New Delhi, Sudip Roy’s ongoing exhibition Junjaali, on view until 20 December 2025, unfolds as a quiet yet deeply affecting return. The exhibition is not framed as a retrospective, nor does it attempt to compress decades of practice into a summarising gesture. Instead, it brings together works created over

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Muffled Whispers of Some Other Time

Witnessing Imran Kokiloo’s ‘You Ran Away’  I. The Empty Room  You enter an empty room. White walls hold nothing but light and air. The city’s cacophony remains outside, muffled beyond the threshold. In this deliberate void, you wait—though for what, you don’t yet know. Then, gradually, as if emerging from beneath water, sounds surface. Voices.

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