Abirpothi

Search Results for: contemporary indian art

What Makes Dhoomimal Art Gallery a Crown Jewel of the Indian Art Scene?

Delhi, the capital of India is not only the political hub of the country but also the cultural capital. From the Delhi Sultanate to the Mughals, every dynasty has embraced Delhi to command the nation. While they have undoubtedly left remnants of their glory in the form of numerous forts, their culture and art history have […]

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How Time Constraints Challenge Art Integration in Architectural Projects, Reveals Architect Nomita Goswami in Samvaad (Part-1)

Welcome to Samvaad, where art meets conversation, and inspiration knows no bounds. Here we engage in insightful conversations with eminent personalities from the art fraternity. Through Samvaad, Abir Pothi aims to create a platform for thought-provoking discussions, providing readers with an exclusive glimpse into the creative processes, inspirations, and experiences of these creative individuals. From

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Bulldozing Barriers – The Baroness of Bhil Art – Bhuri Bai

Art requires talent; an eye for detail; and a vision. It doesn’t matter whether the art pertains to painting or sculpture. We’ve known of many artists who went to prestigious art schools, from where their careers took flight. But what about the indigenous and local artists, who have been practising their craft for generations? Where

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Emami Art Brings KG Subramanyan’s Hidden Identity to Light in their Newest Show

Emami Art is hosting a new show — ‘One Hundred Years and Counting: Re-Scripting KG Subramanyan.‘ The exhibition is curated by Nancy Adajania. The show will preview on 5th April 2024 (4 PM to 8 PM) and is on view till 21st June 2024 (11 AM – 7 PM). The exhibition is presented in collaboration

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Is Surat’s 40-Year Stint as One of the World’s Fastest-Growing Cities Bringing Financial Progress or Complex Challenges? Architect Vishal Shah has the Answer (Part-1)

Welcome to Samvaad, where art meets conversation, and inspiration knows no bounds. Here we engage in insightful conversations with eminent personalities from the art fraternity. Through Samvaad, Abir Pothi aims to create a platform for thought-provoking discussions, providing readers with an exclusive glimpse into the creative processes, inspirations, and experiences of these creative individuals. From

Is Surat’s 40-Year Stint as One of the World’s Fastest-Growing Cities Bringing Financial Progress or Complex Challenges? Architect Vishal Shah has the Answer (Part-1) Read More »

The Grand Collection of The Government Museum and Art Gallery Chandigarh

What is a museum but a souvenir of history? Indian museums and art galleries are the repositories of our primordial culture. Informative and educational, these museums remind us of the rich culture and heritage. One of the oldest art galleries in India is the Government Museum and Art Gallery at Chandigarh, which was engendered at

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Fawn Over the Collection at the National Gallery of Modern Art Bangalore

India’s culture and heritage is unparalleled. As a melting pot, the nation has housed the treasures of various indigenous dynasties and international conquerors. At every region of the bountiful land, one would come face to face with local arts and crafts. Whether it is the Cheriyal village of Telangana, known for its folk Cheriyal scroll

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8 Museums and Art Galleries in Hyderabad You Must Visit Once!

An art gallery is a splendid approach to preserving and promoting local and international art and crafts. At present, the world is witnessing a cultural revolution (not to be confused with Mao Zedong’s revolution). To accommodate centuries of history and traditions, the existence of art galleries and museums is imperative. If the history of the

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Six Goa-based Women Ceramicists Unearth the Synonymy of Clay and the Human Body

Six Goa-based women ceramicists are showcasing their artistic prowess to a widespread audience at the ‘Unearthed’ ceramics exhibition at the Museum of Goa, Pilerne, till March 31. The artworks of artists Nimmy Joshi, Khushboo Madnani, Tanushree Singh, Avani Tanya, Ragini Deshpande and Aditi Kashyap reflect the underlying similarities between clay and the human experience and

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