India’s only daily newspaper for Art, Architecture, and Design.
By Vandana Shukla Khanna’s works deal with a realistic world, the goings on; the play of maya caught in its own momentum, its own web; blurred under its own momentary existence against the eternal march of time. The moments caught on canvas seem to have a rhythm about them, as though, they are flowing over […]
A visual record of history – Krishen Khanna Part 2 Read More »
By Vandana Shukla The centrality of visual art is governed by geometrical considerations. But it is the discovery made in the process that underlines its longevity. Krishen Khanna, a self-taught artist, has been engaged in making these discoveries through his entire span of life. His art has come to be celebrated globally for the fresh
As an artist, I am not subservient to anybody – Krishen Khanna Part 1 Read More »
Nidheesh Tyagi: Christopher is also a writer of a book called Letter to a Young Architect. But, I was just wondering if both of you can tell us what will your letter be for a young artist who is right now in a place like Khairagarh or Orissa, or outside Kolkata in Bengal. What would
NT: I remember this amazing essay by Octavio Paz long back, Poet in the Marketplace, so it\’s like Painter in the Marketplace. So Christopher, what do you think about the kind of market art has become in this country; not just in this country, I think we have just caught up with what was
Abir Pothi had the honour of interacting with two esteemed guests who run one of the biggest architectural practices in the country. Christopher Charles Benninger is a master architect and he has executed some great projects in India. He was part of CEPT, he set up Christopher Charles Benninger Architects (CCBA) in Pune, he also designed the
Chandrashekhar Bheda Chandrashekhar Bheda studied textile design (Dyeing and Printing) at Sir JJ School of Art. Next, he completed his post graduation from the National Institute of Design Ahmedabad in Industrial Design with a specialization in Textiles in 1988. Abir Pothi reports how such a large potential stored in textile materials has kept him excited
Our series on textile stalwarts, combined into one long read! Read More »
As part of a series on textile murals, Abir Pothi conducted an email interview with acclaimed artist Shelly Jyoti and gained many insights into the world of textile art as well as her practice. Below are the in-depth answers that we got in response to our questions. What draws you to textiles in particular?
Pranati Panda’s first textile experience was as a child learning to knit and sew from her mother. She has always had a need to do something with her hands, something tactile, and working with textile and stitching is a process of mark-making of the progression of time, she believes. “Hand-stitching is a time-based medium and
Chandrashekhar Bheda studied textile design (Dyeing and Printing) at Sir JJ School of Art. Next, he completed his post graduation from the National Institute of Design Ahmedabad in Industrial Design with a specialization in Textiles in 1988. Abir Pothi reports how such a large potential stored in textile materials has kept him excited throughout his
Chandrashekhar Bheda unravels the fascinating world of textile murals | Textile Series 1 Read More »
Abir Pothi in conversation with Rekha Rodwittiya, a contemporary Indian artist associated with the Baroda School, known widely for art that masterfully wields allegory and surrealism. This is part two of the interview. You can read the first one here. You are a mentor to young artists and have been a teacher yourself. How do
‘The imaginative landscape is to think about and bring about the hope of change’ Read More »