Strife and Serenity in Ankush Safaya’s Dapaan
As the exhibition craze begins in Delhi, Ankush Safaya’s (b. 1985, Hoshiarpur, Punjab) “MEMORY TRACE / DAPAAN*(…it is said) intertwines abstract concepts and engaging narratives about people’s lives in meticulous ways. The narratives consist of the fabricated stories he created as a devoted admirer of films by Kurosawa and Tarkovsky and painters like Jackson Pollock. […]
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