Exhibitions

Blind Spot – Aditya Pande Nature Morte opens its doors for the public to witness the artistic brilliance of Delhi-based artist Aditya Pande in his newest show – ‘Blind Spot.’ He has been represented by Nature Morte since 2007. He has also displayed his mixed-media artworks at the Alexia Goethe Gallery in London for his […]

The 7th edition of Delhi Contemporary Art Week(DCAW) once again showcases the best South Asian art and contemporary voices at Bikaner House from August 31st to September 4th, 2024. A creative alliance forged by six galleries, DCAW is anchored in the foundation of amplifying the voices of creative artists and celebrating their works that reflect

“What a lot we lost when we stopped writing letters! You can’t reread a phone call.” Liz Carpen An iconic show making one enter a bygone era- ‘Hello and Goodbye: Postcards from early 20th Century’- curated by Khushi Bansal and Meghana Kuppa supported by HT Parekh Foundation is being held at Museum of Art and

Vipul Rathod is a contemporary artist from Baroda whose practice views objects and forms as metaphors, transcending their pragmatic use. His visual language is formed by multifarious articles organised in grids, forming a structure that bears resemblance to a cabinet encasing miniaturised paper-mâché objects. These artefacts that are minuscule in proportion are not mere literal

Latitude 28 presents a three-person exhibition of young contemporaries – Al-Qawi Nanavati, Dola Shikder, and Purvi Sharma – each of whom situates their practice within an experience of being vulnerable to life, Opening on 31st July 2024, and on View Till 18th August 2024. They belong to a group of new-age artists who are, first

The inaugural edition of Naayaab showcases curated masterpieces created by master artisans who are the recipients of the highest awards such as Padma Vibhushan, Padma Shri, and Shilp Guru, among others.  To be held in 3 cities, it will have 100+ exclusive Masterpieces of 40+ Traditional Artforms crafted by 70+ Maestros. The travelling exhibition will

Shalini Yadav is a self-taught artist with expertise in the rich traditional art forms of India. Her multifaceted background has rendered a unique visual interpretation of her paintings yet preserved their sanctity. Her works reflect an amalgamation of Pichwai, Phad, Patachitra, and similar art forms in India and recognises the importance of traditional art in bringing about a spiritual

Kiran Nadar Museum of Art (KNMA), proudly presents two distinct artistic practices with pronounced styles and rich imagery, in the works of artists Amitava and Mohan Samant. The two exhibitions will stand independently while conversing with each other through cursors of art-making and ingenious journeys of the two artists. The practices of Mohan Samant (1924

Manan Shah In the Post nationalisation era, the emergence and establishment of capitalisation has had a significant impact on the country. As regions became more flexible with their trading and commerce policies, they neglected the condition of labourers for a very long time. While we have turned attention to the issue that directly affects us,

Art Centrix Space announced an exhibition, ‘Expanded Disciplinarity, Chapter I: Constructing Painterly Relations,‘ which marks the inaugural exhibition of the Art Centrix Grants. This first edition, the Art Centrix Painting Grant 2024, conceived by Sibdas Sengupta, focuses on painterly constructs. This exhibition will showcase works from ten shortlisted artists exploring diverse painting-based methodologies and interdisciplinary approaches, including Anavi Mullick