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Introduction Art is a boundless subject that has enchanted humanity for millennia, functioning as a  crucial conduit for the articulation of thoughts, sentiments, and interpretations of the human experience.  This intricate and multifaceted subject has spurred countless debates among philosophers, artists, and scholars, giving rise to an array of philosophical perspectives that seek to decipher

Kenneth Clark’s conceptual distinction between the “naked” and the “nude” looks into the intricate interplay between the human body, art, and society’s perception of it. This distinction offers profound insights into how the presentation of the human form in art can fundamentally alter our understanding of it, transcending the mere physicality of the body to

Introduction The British Museum’s loss of 1,500 items, allegations of theft involving insiders, and the questions raised about its extensive collection’s origins have ignited a renewed discussion on the moral and ethical aspects of retaining artefacts acquired during the era of imperialism. In light of these developments, Professor Kavita Singh’s perspective becomes a critical lens

Millions of content are available about Vincent Van Gogh on Google, his legacy as a painter and insane, a lover and troubled man, and his suicide. The entire world celebrates his yellowish room, paddy field, crows, men, and women on the shore. Van Gogh is a highly prolific artist in the history of Western art;

Margaret Keane is maybe the only Artist who established herself as an artist in the courtroom in Western Art history. Margaret, an American artist known for painting subjects with big eyes and Artwork, was initially credited to her ex-husband for years. The story of People with Eyes and ‘lure’ in Western Art goes back to

Umang Hutheesing starts to talk about the Hutheesing Visual Art Centre and the legacy of art exhibitions. Forty-five years of the visual arts centre is something in itself that is an incredible journey, and Umang has been part of this majorly. Umang has seen art in his family even before exposure to art in India,