Abirpothi

Artist Profile

Negotiating Colonial Aesthetic and Indian Reality: The Prolific Oeuvre of M. V. Dhurandhar

Digvijay Nikam In the late 19th and early 20th century when the Nationalist movement in India was in full sway with the revivalist school of painting in Bengal responding to its current techniques and content that departed from the British academic style, the Bombay artists were producing work that was highly academic in nature. Mahadev Vishwanath […]

Negotiating Colonial Aesthetic and Indian Reality: The Prolific Oeuvre of M. V. Dhurandhar Read More »

Addressing Everyday Life: The Provocative Art world Of Thukral And Tagra

Digvijay Nikam Challenging the norms of fine art and pop culture, Thukral and Tagra is a Delhi-based contemporary art duo. Jiten Thukral, born in 1976 in Jalandhar, Punjab, did his BFA from Chandigarh Art College and MFA from New Delhi College of Art in the late 1990s while Sumir Tagra was born in 1979 in

Addressing Everyday Life: The Provocative Art world Of Thukral And Tagra Read More »

Mumbai Re-Imagined, Valay Shende’s Unique Art Installations

Smriti Malhotra   In June 2019, Phoenix Palladium hosted an exhibition of life-sized installations by Valay Shende called, “Spirit of Bombay”. The large installations depicted the known and popular symbols of Mumbai, these were re-imagined in a creative manner by the Nagpur-born artist.   The exhibition ‘Spirit of Bombay’ drew upon the unflinching spirit of

Mumbai Re-Imagined, Valay Shende’s Unique Art Installations Read More »

The multilayered social abstractionist art of Mark Bradford 

Digvijay Nikam I’m interested in the type of abstraction where you look out at the world, see the horror—sometimes it is horror—and you drag that horror kicking and screaming into your studio and you wrestle with it and you find something beautiful in it.  Mark Bradford Mark Bradford is an American visual artist highly acclaimed

The multilayered social abstractionist art of Mark Bradford  Read More »

Digital Memory-making and Reformulated Sites in Akshita Gandhi’s Art

Satarupa Bhattacharya Photography has undergone several changes since the time of its inception when cameras were a luxury item to ‘memorialise’ family members and their achievements. Today, as we advance into a space with technological boons and banes, we’re still grappling with the ‘imaginary possession of the past that is unreal’. The dilemma in the (un)real

Digital Memory-making and Reformulated Sites in Akshita Gandhi’s Art Read More »

The Elegant and Provoking Sculptural Photography of Robert Mapplethorpe

Digvijay Nikam What kind of relationship might the distinct mediums of sculpture and photography share? What are the limits of artistic expression? The work of the celebrated and equally censored American photographer Robert Mapplethorpe is the right place to unpack these concerns. Born in 1946 in New York and brought up in a strict Catholic

The Elegant and Provoking Sculptural Photography of Robert Mapplethorpe Read More »

Repetition as a Way of Finding God: The Modernist Collages of Panchal Mansaram

Digvijay Nikam ‘Prolific’ is the word that describes the artistic career of the Indo-Canadian artist Panchal Mansaram, who worked every single day over his decades-long career leading to a huge body of work. Born in India in 1934, Mansaram grew up in Mount Abu, Rajasthan, completed his graduation from the Sir J.J. School of Arts

Repetition as a Way of Finding God: The Modernist Collages of Panchal Mansaram Read More »

Using Time as Material: The genre-bending durational performances of Nikhil Chopra

Digvijay Nikam  What kind of relationship does the work of art bear with the artist’s body? Is the latter only an agent to aesthetic creation where the locus of any transformation is the art work and not the body? The contemporary Indian artist Nikhil Chopra has tried to bridge this chasm by foregrounding the body

Using Time as Material: The genre-bending durational performances of Nikhil Chopra Read More »

Seed for Thought: The empowering artwork of artist-farmer-environmentalist Shweta Bhattad

Digvijay Nikam To go to the National Gallery of Modern Art in Delhi on a weekend to engage in a contemplative appreciation of intricate paintings and sculptures might be one way of confronting art where the cackle of the street and the concerns of the crumbling everyday life may be kept at bay. One might

Seed for Thought: The empowering artwork of artist-farmer-environmentalist Shweta Bhattad Read More »

Make Me a Summary of the World: Rina Banerjee’s carnivalesque sculpture installations

Digvijay Nikam Migration – forced and otherwise – of humans and of objects, entangled with the questions of ethnicity and race, is the defining feature of the modern globalized world. “How should art respond to it?” is the question that the diasporic artist Rina Banerjee tries to probe through her work. Born in 1963 in

Make Me a Summary of the World: Rina Banerjee’s carnivalesque sculpture installations Read More »

Ad