Negotiating Colonial Aesthetic and Indian Reality: The Prolific Oeuvre of M. V. Dhurandhar
Digvijay Nikam In the late 19th and early 20th century when the Nationalist movement in India was in full sway with the revivalist school of painting in Bengal responding to its current techniques and content that departed from the British academic style, the Bombay artists were producing work that was highly academic in nature. Mahadev Vishwanath […]