Abirpothi

Biraaj Dodiya and Heidi Lau’s joint exhibition: When painting meets sculpting

Tsuktiben Jamir Biraaj Dodiya and Heidi Lau are jointly presenting an exhibition, ‘Shadow Speaks’, at Bureau in New York. Both of the artists are exhibiting for the first time at Bureau as well as working together for a show. Dodiya’s paintings and Lau’s sculptures will be presented together; Dodiya’s architectural rigidity contrasts well with Lau’s

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Celebrating the 110th Birth Anniversary of Amrita Sher-Gil at NGMA

Smriti Malhotra The National Gallery of Modern Art (NGMA) hosted a grand evening on 31st March 23 in collaboration with designer Ritu Beri to commemorate the 110th birth anniversary of Amrita Sher-Gil. The Liszt Institute of Hungarian Cultural Center and the Museo Camera Center for Photographic Arts collaborated on the event’s planning. The gala was

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Bringing the spotlight to female artists: Komal Shah’s Mission

Tsuktiben Jamir Born in Ahmedabad, Komal Shah always had an affinity for Computer Science. She furthered her passion by earning a master’s degree in Computer Science from Standford University and later her MBA from Berkeley. She then advanced to prominent tech jobs, including top roles at Oracle, Netscape, and Yahoo. However, there was always another

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Getty and London’s National Portrait gallery to acquire Joshua Reynolds painting at $61.9 M. 

A SUMMARY OF THE MOST EXCITING ART NEWS FROM AROUND THE GLOBE While we focus on Indian art, we can’t obviously function in a vacuum. It’s a small world and everything is connected, especially on the web. So, let’s train our spotlight across the world map to see what’s going on — from art trends

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The multilayered social abstractionist art of Mark Bradford 

Digvijay Nikam I’m interested in the type of abstraction where you look out at the world, see the horror—sometimes it is horror—and you drag that horror kicking and screaming into your studio and you wrestle with it and you find something beautiful in it.  Mark Bradford Mark Bradford is an American visual artist highly acclaimed

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Digital Memory-making and Reformulated Sites in Akshita Gandhi’s Art

Satarupa Bhattacharya Photography has undergone several changes since the time of its inception when cameras were a luxury item to ‘memorialise’ family members and their achievements. Today, as we advance into a space with technological boons and banes, we’re still grappling with the ‘imaginary possession of the past that is unreal’. The dilemma in the (un)real

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