Abirpothi

Street Art as a Political Tool in Indian Context

This long-read-research article about Street Art- Graffiti in the Indian context brings multi-layer ideas about social life and street art as a context itself.  Kritika Verma This chapter focuses on one issue in the wide-ranging, contemporary debates on the relationship between art and politics: philosophy’s role in these debates and its contribution. In the background, […]

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Reassessing Panofsky’s Influence: Challenging Norms in Art History and Embracing Diversity in Visual Interpretation

One way to gain insight into the current directions of art historical study is to view them as providing alternatives to the prevailing approach of early modern art historians. Figures like Wölfflin and Panofsky, who were highly influential in the field, primarily focused their attention and developed their modes of analysis about the art of

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Parviz Tanavoli: The Poet and the Beloved King of Iranian Pop Art

Is Parviz Tanavoli a poet or a Prophet in contemporary Iranian Art? Parviz became a popular and pioneering figure in Iranian Art over the last six decades, and he used Persian traditions to modernise and reinterpret Iranian Art. After completing his studies in Art in Tehran in the 1950s, Parviz started to create Artwork that

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Samvaad with Sidharth: The Visual Story Teller of Many Journeys (Part 4 of 5)

Welcome to Samvaad, where art meets conversation, and inspiration knows no bounds. Here we engage in insightful conversations with eminent personalities from the art fraternity. Through Samvaad, Abir Pothi aims to create a platform for thought-provoking discussions, providing readers with an exclusive glimpse into the creative processes, inspirations, and experiences of these creative individuals. From

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Report Reveals Plight of Persecuted Artists and Urges Expanded Protections

A new report published by Artists at Risk Connection (ARC), an initiative of the freedom of expression nonprofit PEN America, sheds light on the plight of persecuted artists and calls for expanded protections from human rights and arts organisations. Titled “Art Is Power: 20 Artists on How They Fight for Justice and Inspire Change,” the

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Indian Influence on European Fashion; Showcasing Iconic Dress and Textiles, Exhibiting Cultural Exchange

The recently-concluded exhibition “India in Fashion: The Impact of Indian Dress and Textiles on the Fashionable Imagination” occurred at the Nita Mukesh Ambani Cultural Centre (NMACC) in Mumbai, India. Curated by fashion journalist and editor Hamish Bowles, the exhibition explored India’s influence on European fashion throughout history. The exhibition was divided into ten sections, each

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An Art Historian Extraordinaire: Dr Shobhita Punja’s Enduring Mark On Arts and Heritage of India

In a world where art intertwines with heritage, there exists a luminary whose presence casts a captivating spell on all who encounter her. Dr Shobhita Punja was a true connoisseur of Indian art and culture; she dedicated her life to unravelling the mysteries and preserving the beauty of India’s artistic legacy. With a heavy heart,

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Asim Poddar’s Artwork Honoring Ratan Tata Receives Acclaim and Recognition

Ratan Tata, the revered former chairman of Tata Group, holds an esteemed position in the hearts of many across India. His knowledge, wisdom, and philanthropic endeavours have made him an iconic figure in the business world. The legacy built by his family continues to inspire admiration and respect. Among the countless admirers of Ratan Tata

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Allegory of Two Ladies: Gender, Race and Colour in One Painting

The artworks are rare and invaluable because of many reasons. Some artworks are more priceless and treasured than others because of their historical significance and employing scope with time and space. Some works may be preserved as a nation’s treasure, not allowed to carry outside the country’s border. The British government declared ‘the allegorical Painting

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Transforming Art Education for Elementary Students: Innovative Approaches Explored

This article addresses a neglected area in art education—the service course in art education for elementary education majors. They reflect on their own experiences and ideas in developing innovative projects for their art methods courses. Three key areas: are discussed to understand child art, visual culture, and issues-based art education. Minam Kim focuses on the

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