Abirpothi

Minimalism: Is the Future Grey?

Minimalism in design and pop culture has led to a decrease in the use of colour.  Dr. Cath Sleeman, a research fellow at the Policy and Evidence Centre, recently analyzed over 7,000 photographs of everyday objects from the Science Museum Group Collection. Of all the observations, the increase in grey tones and the decrease in

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Nightmare Gallery: 11 Horror Paintings You Need To Know About This Halloween.

It’s spooky season, and we at Abir Pothi are nothing if not avid followers of festive moods. Following are 11 horrifically mesmerizing and beautifully spine-chilling paintings to give you the perfect feel this Halloween.    1. Judith Slaying Holofernes  Known as one of the most iconic works of Artemesia Gentileschi, “Judith Slaying Holofernes” is a grotesque

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Why to Care about Y2K: Nostalgia, Optimism and Existential Anxiety

Human society lives for its fashion trends- the explosive, colourful choices that have come to mark specific periods in time also often represent the socio-economic atmosphere of the era they originated in. While a major criticism of trends is that they are short-lived, in recent decades, a cyclical pattern has been noticed in popular fashion

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Venice Biennale Controversy: Israel Proceeds with Pavilion, While Palestinian Exhibition Faces Rejection

As conflict between Israel and Hamas continues, the world-famous Venice Biennial is embroiled in a geopolitical conflict. Israel has decided to go ahead with a planned pavilion for the 2024 biennial games, despite ongoing hostilities. In contrast, the organisers of an exhibition of Palestinian artists associated with the 2022 biennial faced obstacles, rejecting them for

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Exploring India’s Visual Identity: Saloni Doshi’s Photographic Odyssey

Saloni Doshi’s Exhibition of Art is thought- provoking mediation on visual currents which define India’s historical past and current identity in a world where images catch hold of our sensibility. Through an audacious curation deep in history yet securely in the present, Saloni’s collection defies our basic right to contemplate the world. Saloni asks us through the

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