Abirpothi

Krispin JosephPX

Krispin Joseph PX, a poet and journalist, completed an MFA in art history and visual studies at the University of Hyderabad and an MA in sociology and cultural anthropology from the Central European University, Vienna.

Art of Ugur Gallenkuş: Fragments of War and Collage as Witness

Ugur-Gallenkus

The art of Turkish collage artist Ugur Gallenkuş proves that wartime is not only about war but also about thoughts and movement against it. As attacks against Iran have begun following the Russian-Ukrainian war and Israel’s ongoing aggressions in Palestine, anti-war art creations are also gaining attention on social media. Ugur Gallenkuş’s works are a

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Malak Mattar: A Homeland Painted in Memory, Art After the Bombing

Malak Mattar

War shapes people’s socio-political life and, thus, their artistic expressions, and it changes like any other experience. Palestinian artists Malak Mattar, whose lives and experiences with prolonged conflict have been personally affected, depict war as a mirrored experience with details. The experience of war, like other experiences, leaves its imprint, and following it, one can

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Threads of Memory: War and Diasporic Identity in the Art of Samar Hussaini

In a world where conflict frequently shapes society, War continues to play a major role in political, historical, artistic, and cultural tales. Ongoing geopolitical concerns, such as unexpected attacks and conflicts in the Middle East, serve as a reminder that War is an enduring reality that transforms civilisations, geography, memory, and identities rather than just

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In Conversation with Cop Shiva: ‘Being Gandhi and Marginal Voices’

Cop Shiva

Cop Shiva is one of India’s most significant contemporary photographers. In Like Gold, a collateral exhibition at the Kochi Muziris Biennale, he presented ‘Being Gandhi’, which explores the tension between the banal and the formal, between bureaucracy and emotion, and exemplifies his ability to navigate and express the ambivalence of photography and contemporary visual culture.

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Asim Waqif’s Ecologies: Fractured Cities and Living Materials

Asim Waqif

Asim Waqif, an Indian artist, traverses architecture, ecology, and the vibrant life of cities to create art, representing India at the 2026 Venice Biennale. Waqif, born in Hyderabad (1978), trained as an architect, has become an artist and created a vocabulary of alluring atmospheres, sculpture, installation, and video. Through artwork, Asim Waqif examines how materials,

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The Art of Sumakshi Singh: Weaving Memory, Space, and Silence

Artist Sumakshi Singh, known for her unique ability to materialise the intangible—memory, perception, fragility, and time—is a leading figure in contemporary Indian art, and represents India at this year’s Venice Biennale. She brings an artistic language composed of thread, translucency, stillness, and the delicate tension between presence and disappearance. Her delicate yet theoretically grounded paintings

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Alwar Balasubramaniam: ‘Tracing the Self’, Body, and Becoming

The creative world of Alwar Balasubramaniam, known as “Bala,” spans decades of exciting practice. His techniques, which began with an intense focus on painting and printmaking, evolved dramatically after 2000, when he turned toward sculpture and immersive installations—an ongoing exploration now culminating in his role as India’s representative at the upcoming Venice Biennale. As we

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Archiving the Vanishing: Kulpreet Singh’s ‘Extinction Archive’ and the Aesthetics of Loss

The Extinction Archive project by artist Kulpreet Singh, produced by KNMA on the view of India Art Fair 2026, depicts animals and plants at peril and spans over 900 endangered species, painted on pesticide-dipped rice paper, making the magnitude and accumulation of what is vanishing clear. This show has attracted the attention of art lovers

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Jogen Chowdhury: Memoirs of an Indian Dream and Alchemy of Expression

On This Day Jogen Chowdhury (born 16th February 1939 is an eminent Indian artist considered one of the most important and seminal figures in the history of postcolonial Indian Art. Jogen knows his painting bonded to Partition, the landscape, folk tales, and figurative and political injustice-motivated compositions. He was born and brought up in an

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